Las óleos de todo George Caleb Bingham
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ID |
Image |
Painting (From A to Z) |
Details |
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50549 |
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Boater playing the Card |
mk212
1847
Oil on canvas
71.1x96.8cm
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45274 |
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Bootsleute auf dem Missouri |
mk181
1846
Winterhur
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58266 |
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Daniel Boone Escorting Settlers through the Cumberland Gap |
Daniel Boone Escorting Settlers through the Cumberland Gap, oil on canvas, 1851?C52 |
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45267 |
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Daniel Boone fuhrt eine Gruppe von Pionieren |
mk181
1851
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45266 |
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Das Urteil des Volkes oder Verkundung des Wahlergebnisses |
mk181
1854-55
St.Louis
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45277 |
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Die Frohhichen Bootsleute |
mk181
um1848
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45353 |
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Die frohlichen Bootsleute |
mk181
1846
Ol auf Leinwand
96.9x123.2cm
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45276 |
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Die frohlichen Bootsleute |
mk181
um 1848
Kansas |
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45352 |
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Die Heimkehr der Trapper |
mk181
1851
Ol auf Leinwand
66x92cm
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45354 |
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Die Kreiswahl |
mk181
1851-52
Ol lauf Leinwand
96.9x123.8cm
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50544 |
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Emigrant |
mk212
1851-52
Oil on canvas
92.7x127.6cm
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50543 |
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Folk-s arbitrament |
mk212
1854-55
Oil on canvas
92.7x127.6cm
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42774 |
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Fur hand put on boots on the Missouri |
MK169
1845 Cloth
73.7x92.7cm Metropolitan Museum or Art |
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28411 |
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Fur Traders Descending the Missouri |
c 1845
Oil on canvas 73.7 x 92.7 cm
(29 x 36 1/2 in)
Metropolitan Museum of Art New York (mk63) |
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33933 |
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Fur Traders Descending the Missouri |
mk87
c.1845
Oil on canvas
73.5x93cm
New York,The Metropolitan Museum of Art
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40692 |
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Fur Traders Descending the Missouri |
mk156
1845
Oil on canvas
73.7x92.7cm
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41353 |
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Fur Traders Descending the Missouri |
mk161
Oil on canvas
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56219 |
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fur traders descending the missouri |
mk247
1845,oil on canvas,29x36.5 in,73.5x92.5 cm,metropolitan museum of art,new york,ny,usa |
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21449 |
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Fur Traders Descending the Missouri (mk09) |
c 1845
Oil on canvas,73.5 x 93 cm
New York,The Metropolitan Museum of Art |
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22143 |
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Fur Traders Descending the Missouri (mk13) |
1845
oil on canvas,73.5 x 93 cm
New York,The Metropolitan Museum of Art |
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23254 |
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Fur Traders Descending the Missourl (nn03) |
185 oil on canvas h74 x w92cm h29 x w36 1/2 in
Metropolitan Museum of Art,New York,NY |
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42775 |
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Indiaan-the hidden enemy |
MK169
1845
oil Paint on cloth
74.3x92.7cm |
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31684 |
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Marchands de fourrures descendant le Missouri |
mk75
vers 1845
Huile sur toile
73.7x92.7cm
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85613 |
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Mrs George Caleb Bingham |
oil on canvs
88.9 x 72.4 cm
ca 1841
cyf |
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81631 |
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Mrs George Caleb Bingham (Sarah Elizabeth Hutchison) and son, Newton |
oil on canvs
88.9 x 72.4 cm
ca 1841
cjr |
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49329 |
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Order NO.11 |
mk195
ca.1865-1870
Oil on canvas
55x78
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45273 |
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Pelzhandler den Missouri hinunterfahrend |
mk181
1845
New York
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85156 |
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Portrait of Vinnie Ream |
1876(1876)
Medium Oil on canvas
cyf |
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31870 |
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Raftsmen Playing Cards |
mk77
1847
Oil on canvas
28 1/6x38 1/6in
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27007 |
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Self-Portrait |
mk52
1834-5
Oil on canvas
71x57.1cm
St Louis Art Museum
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3095 |
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Shooting for the Beef |
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39065 |
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Shooting For the Beef |
mk140
1850
Oil on canvas
84.8x124.5cm
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71411 |
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Shooting for the Beef |
ca. 1850(1850)
Oil on canvas
84.8 x 124.5 cm (33.39 x 49.02 in)
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72561 |
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Shooting for the Beef |
Date ca. 1850(1850)
Medium Oil on canvas
Dimensions 84.8 X 124.5 cm (33.39 X 49.02 in)
cyf |
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98200 |
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The gypsy encampment |
1852(1852)
Medium oil on canvas
Dimensions 43.2 x 64.2 cm
cyf |
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3094 |
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The Jolly Flatboatmen |
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3092 |
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The Puzzled Witness |
1874 23" x 28" |
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28410 |
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The Verdict of the People |
1845-5
Oil on canvas 116.7 x 164.9 cm
(46 x 65 in)
The Boatmen's National Bank of St Louis (mk63) |
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86496 |
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View of Pikes Peak |
1872, Oil on canvas
cyf |
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45279 |
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Wahlkampfrede oder Stimmenfang im Wahlkreis |
mk181
1853-54
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45275 |
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Zeichnung fir |
mk181
Die Heimkehr der Trapper |
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45278 |
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Zeichnung fun |
mk181
Die frohlichen Bootsleute
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45280 |
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Zeichnung fur |
mk181
Die frohlichen Bootsleute der Fiedler
1846
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| George Caleb Bingham
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| 1811-1879
George Caleb Bingham Gallery
George Caleb Bingham (March 20, 1811 ?C July 7, 1879) was an American artist, whose work depicted his view of American life in the frontier lands along the Missouri River. Left to languish in obscurity, Bingham's work was rediscovered in the 1930s and he is now widely considered one of the greatest American painters of the 1800s.
Born in Augusta County, Virginia, Bingham was the second of seven children born to Henry Vest Bingham and Mary Amend. Upon their marriage, Matthias Amend, Mary's father, gave ownership to the family mill, 1,180 acres of land and several slaves to Henry with the agreement that Matthias could live with the family the rest of his life. Henry offered the land and mill as surety for a friend's debt and, when the friend died in 1818, all was lost. George's family soon moved to Franklin, Missouri "where the land was said to be bountiful, fertile and cheap."
Bingham was a self-taught artist. His sole childhood exposure to the field was as a nine-year-old boy, when famed American portraitist Chester Harding visited Franklin looking for business, having recently sketched Daniel Boone in Warren County, Missouri. George assisted Harding during his brief stay, an experience that left a powerful impression.
In 1823, Bingham's father, now judge of Howard County Court, died of malaria on December 26 at the age of thirty-eight. To keep the family going, Mary Bingham opened a school for girls and George, then twelve, worked as school janitor to help keep the family afloat. At age sixteen, Bingham apprenticed with cabinet maker Jesse Green. After Green moved, he apprenticed with another cabinet maker, Justinian Williams. Both tradesmen were Methodist ministers and, while under their tutelage, Bingham studied religious texts, preached at camp meetings and thought about becoming a minister himself. Bingham also considered becoming a lawyer.
However, by age nineteen, Bigham was painting portraits for $20.00 apiece, often completing the works in a single day. He drummed up work in both Franklin and Arrow Rock and, while his painting abilities were still developing, succeeded in impressing his patrons with his strong draftsmanship and ability to capture the likeness of his subject. Soon Bingham attempted to travel to St. Louis to ply his trade but contracted measles, which left him weak and permanently bald.
In 1836, Bingham married Sarah Elizabeth Hutchison, who bore him three children over the subsequent twelve years before dying at the age of twenty-nine. George married twice more, first to Eliza Thomas, who died in a mental institution in 1876, and then to Martha Lykins, who lived until 1890. George's mother, Mary, died in 1851.
By 1838, Bingham was already beginning to make a name for himself as a portrait artist in St. Louis, his studio visited by several prominent local citizens and statesmen, including the lawyer James S. Rollins who was to become a life-long friend. To further his education, George spent three months in Philadelphia, Pennsylvania before continuing on to New York City to visit the National Academy of Design exhibition.
Bingham was elected to the Missouri General Assembly in 1848.
From 1856 to 1859, Bingham studied art with the members of the D??sseldorf School in D??sseldorf, Germany. Critics claim that this caused him to abandon the rustic American style in his art. Upon his return, he began painting less, turning to politics in the post-Civil War years and serving as state treasurer and adjutant general. He was also president of the Board of Police Commissioners for Kansas City, Missouri in 1874, appointing the first chief of police there . Toward the end of his life he was a professor of art at the University of Missouri in Columbia, Missouri.
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